quinto-information.in

Language : Sanskrit

Song : Varaveena Mrudu Paani

Album : Carnatic Primer

Defaults : s r2 g3 p d2 (Raagam: Mohanam)

(unless otherwise specified. See Legend for more details)

ThaaLam : Roopakam (3 beats)

g g p - p - d p S - S -

va ra vee...na.. mrudu paa ni

R S d d p - d p g g r -

va na ru ha lO.. chana ra....ni..

g p d S d - d p g g r -

su ru chira bum. bhara ve.ni.....

g g d p g - p g g r s -

su ra nu dhakal. ya..........ni..

g g g g r g p g p - p -

ni ru pa ma shubha gu na lO....la..

g g d p d - d p S - S -

ni ra thija ya.. prada shee..la..

d G R R S S d S d d d p

va ra da....priya ranga na....ya.ki

g p d S d p d p g g r s

va.an.chita pa la da..........ya.ki

s g g - g - g r p g r -

sa ra se....ja.. sa na ja na ni..

s r s g r s

ja ya ja ya ja ya

Language : Sanskrit

Song : Varaveena Mrudu Paani

Album : Geetham

Raagam : Mohanam (c d e g a C)

(See Legend for more details)

ThaaLam : Roopakam (3 beats)

e e g - g - a g C - C -

va ra vee...na.. mrudu paa...ni..

D C a a g - a g e e d -

va na ru ha lO.. chana ra....ni..

e g a C a - a g e e d -

su ru chira bum. bhara ve.ni.....

e e a g e - g e e d c -

su ra nu dhakal. ya..........ni..

e e e e d e g e g - g -

ni ru pa ma shubha gu na lO....la..

e e a g a - a g C - C -

ni ra thija ya.. prada shee..la..

a E D D C C a C a a a g

va ra da....priya ranga na....ya.ki

e g a C a g a g e e d c

va.an.chita pa la da..........ya.ki

c e e - e - e d g e d -

sa ra se....ja.. sa na ja na ni..

c d c e d c

ja ya ja ya ja ya

Language : Tamil

Song : Why This Kolaveri

Movie : MooNu

Defaults : s r2 g2 m1 p d1 n2

(unless otherwise specified. See Legend for more details)

Scale/Key: Cm

Band version contains notes for prelude, interludes and bay-by-bay chords

Pallavi

Why This Kolaveri Kolaveri Kolaveri Dii

R~G R~S R G R S R G G M M G R S S

Cm Bb Fm Bb

Why This Kolaveri Kolaveri Kolaveri Dii

Rhythm Correct..

Why This Kolaveri Kolaveri Kolaveri Dii?

Maintain This..

Why This Kolaveri? ....... Adi

R~G R~S R G R S SS

Cm Bb Fm Bb

Charanam 1

aaahn Distance'laa Moon'nuu Moon'nuu Moon'nu Color'ruu White'tuu

S~~~P P P PD P~M M~~P M~G M~~P M~G G~~P P P D P~M M~~P M~G

Cm Bb Fm Bb

White'tu Background Night'tuu Night'tuu Night'tu Color'ruu Black'kuu

S~~~P P P~~DP~~~~M M~~~P M~G M~~~P M~G G~~~P P P D P~M M~~~P M~G

Cm Bb Fm Bb

Charanam 2

White'tu Skin'nuu Girl'luu Girl'luu Girl'lu Heart'tuu Black'kuu

S~~P P P~~D P~M M~~P M~G M~~P M~G G~~P P P~~~D P~M M~~~P M~G

Cm Bb Fm Bb

Eyes'su Eyes'suu Meet'tuu Meet'tuu Myyi Future Dark'kuu aaaaa

S~~P P P~~D P~M M~~P M~G M~~P M~G S~PP PDP M M~~P M~G R

Cm Bb Fm Bb Gm7

Interlude

(Mama, Notes Eduthuko, Apdiye Kaila Snacks Eduthuko)

Papapapaan Papapapaaan Papapapaan Papapaan

S G P P~~S S G P M~P~M S G P P~~G G P P~~M

Fm Bb Cm Bb

Hahahahah Super mama. Ready. Ready.. One.. Two.. Three.. Four..

Apdii... Hahn... Hmmm. wah! what a changeover mama.

Ok mama, now tune change'u

Charanam 3

hmmmmmmmm Kaila Glass Only English'a

S~~~~~~~P S~DD D

Cm Fm

hmmmm Hand'la Glass'u Glass'la Scotch'u Eyes'u Full'a Tear'uuu

P M~~P P P S M~~~P P P S M~~P P P N DND PDP

Cm Bb G# Bb

Empty Life'u Girl'u Come'u Life'u Reverse'u Gear'uuu

S~PP P S S~~P P P S S~~P P P P N DND PDP

Cm Bb G# G

aahn Love'u Love'u Oh My Love'u You Showed Mee Bow'vuu

S S G P P S G P MPM S G~~P P P~G G~P MPM

Cm Bb Fm Bb

Cow'u Cow'u Holy Cow'u I Want You Here Now'uuuu

S G P P S G P MPM S G~~P P P~~G G~P P-DPM

Cm Gm7 Fm7 Bb

God'u I am Dying Now'uu She Is Happy How'vuu

S~G MG RS SR R R~G RGR Sn n~G G R~SS S~G RGR

Cm Gm7 G# Bb

This'uu Song'uu For Soup Boys'uu We Don't Have Choice'uuuuuuu

G MG R~~S SR R R~~G RGR Sn n~G G R~~S S~~~G R-GRGRS

Cm Gm7 G# Bb

Language : Tamil

Song : Why This Kolaveri

Movie : MooNu

Scale/Key: Cm (See Legend for more details)

Band version contains notes for prelude, interludes and bay-by-bay chords

Pallavi

Why This Kolaveri Kolaveri Kolaveri Dii

D~D# D#~C D D#D C D D#D#F F D#D C C

Cm Bb Fm Bb

Why This Kolaveri Kolaveri Kolaveri Dii

Rhythm Correct..

Why This Kolaveri Kolaveri Kolaveri Dii?

Maintain This..

Why This Kolaveri? ....... Adi

D~D# D~C D D#D C CC

Cm Bb Fm Bb

Charanam 1

aaahn Distance'laa Moon'nuu Moon'nuu Moon'nu Color'ruu White'tuu

C~~~G G G GG#G~F F~~G F~D# F~~G F~D# D#~G G G G# G~F F~~G F~D#

Cm Bb Fm Bb

White'tu Background Night'tuu Night'tuu Night'tu Color'ruu Black'kuu

C~~~G G G~D#G~~~~F F~~~G F~D# F~~~G F~D# D#~~G G G G# G~F F~~~G F~D#

Cm Bb Fm Bb

Charanam 2

White'tu Skin'nuu Girl'luu Girl'luu Girl'lu Heart'tuu Black'kuu

C~~G G G~G# G~F F~~G F~D# F~~G F~D# D#~G G G~~G# G~F F~~~G F~D#

Cm Bb Fm Bb

Eyes'su Eyes'suu Meet'tuu Meet'tuu Myyi Future Dark'kuu aaaaa

C~~G G G~G# G~F F~~G F~D# F~~G F~D# C~GG GG#GF F~~G F~D# D

Cm Bb Fm Bb Gm7

Interlude

(Mama, Notes Eduthuko, Apdiye Kaila Snacks Eduthuko)

Papapapaan Papapapaaan Papapapaan Papapaan

C D#G G~~C C D#G F~G~F C D#G G~D# D#G G~~F

Fm Bb Cm Bb

Hahahahah Super mama. Ready. Ready.. One.. Two.. Three.. Four..

Apdii... Hahn... Hmmm. wah! what a changeover mama.

Ok mama, now tune change'u

Charanam 3

hmmmmmmmm Kaila Glass Only English'a

C~~~~~~~G C~G#G# G#

Cm Fm

hmmmm Hand'la Glass'u Glass'la Scotch'u Eyes'u Full'a Tear'uuuuu

G F~~G G G C F~~~G G G C F~~G G G A# G#A#G#GG#G

Cm Bb G# Bb

Empty Life'u Girl'u Come'u Life'u Reverse'u Gear'uuuuu

C~GG G C C~~G G G C C~~G G G G A# G#A#G#GG#G

Cm Bb G# G

aahn Love'u Love'u Oh My Love'u You Showed Mee Bow'vuu

C C D# G G C D# G FGF C D#~G G G~D# D#~GFGF

Cm Bb Fm Bb

Cow'u Cow'u Holy Cow'u I Want You Hear Now' uuuuuu

C D#G G C D# G FGF C D#~G G G~D# D#~G G-G#GF

Cm Gm7 Fm7 Bb

God'uuu I am Dying Now'uu She Is Happy How'vuuu

C~D#FD# DC CD D D~D# DD#DCa# a#~D# D# D~CC C~D#DD#D

Cm Gm7 G# Bb

This'uu Song'uu For Soup Boys'uu We Don't Have Choice'uuuuuuuuu

D# FD# D~~C CD D D~D# DD#D Ca# a#~D# D# D~~C C~~D# D-D#DD#DC

Cm Gm7 G# Bb

Language : Sanskrit

Song : Paramam Pavithram

Album : Sri Satya Sai Bhajan - Vibuthi Mantra

Defaults : s r2 g3 m1 p d2 n3

(unless otherwise specified. See Legend for more details)

Paramam Pavithram Baba Vibhuthim

r g g r g g rgrgrs s r g

C

Paramam Vichitram Leela Vibhuthim

s r r s r rgrs s grg g rs s

Csus2 C

Paramartha Ishtartha Moksha Pradhanam

g g p p g p p pd pdpg p pd d

C Am

Baba Vibhuthim Idam Aasrayaami

dSdSdp p pdppg gp pdp grss

CLanguage : Sanskrit

Song : Paramam Pavithram

Album : Sri Satya Sai Bhajan - Vibuthi Mantra

Defaults : s r2 g3 m1 p d2 n3

(unless otherwise specified. See Legend for more details)

Paramam Pavithram Baba Vibhuthim

r g g r g g rgrgrs s r g

C

Paramam Vichitram Leela Vibhuthim

s r r s r rgrs s grg g rs s

Csus2 C

Paramartha Ishtartha Moksha Pradhanam

g g p p g p p pd pdpg p pd d

C Am

Baba Vibhuthim Idam Aasrayaami

dSdSdp p pdppg gp pdp grss

COh Ringa Ringa – 7aum Arivu – Keyboard Music Notes

Posted by Gurudev on Nov 8, 2011 in Tamil Movie Songs - Indian & Western Notations

Rating: 7.2/10 (5 votes cast)

Song Details

Song Oh Ringa Ringa - Piano Guitar Violin Flute Western Notations

Category Tamil Movie Songs - Indian & Western Notations

Movie 7aum Arivu

Music Director Harris Jayaraj

Lyrics P Vijay

Singer Benny Dayal

Suchitra

Jerry John

Starring Suriya

Shruti Haasan

Notations sa=s ri=r2 ga=g2 ma=m1 pa=p da=d1 ni=n2

unless and otherwise specified.

See Classical Indian Notation Guide for help on how to read these notes.

To convert from Indian to Western notations, see Western Notations Guide

Lo lava lava lava lavalamma

p p p p p p p p p dpm

Le lava lava lava lavalamma

m m m m m m g g m g r s

Lo lava lava lava lavalamma

p p p p p p p p p dpm

Lo lava lava lava lava lava lava lava lava

m m m m m m m m m m m m m m m m m

oh ringa ringa jamaikalaam gang ah

p p p d m m m m g gmgr s

eh binga binga hip pop la song ah

p p p d m m m m g gmgr s

oh andra indra natpenrume neenga

p p p d m m m m g gmgrs

va ondra ondra nam aayiram poonga

p p p d m m m m g m pn

O Vanaa Ovanaa Onnonnaa

n S S nS S nd p

Otamum Aattamum Inithaana

pd d p d d pp m g

Ovvoru Naalume Thaenthaanaa

nS S n S S n d p

Nanbanin Nanbanum Naanthanaa

p d d p d d p m g

Ye Gama Gama Nenjadangumaa

m m m m m m m m m m

Nee Nanachatha Nadaththiko Nadaththiko

m m m m m m m m m m m m m

Ye Guma Guma Kan Urangumaa

m m m m m m mm m m

Nee Kedachatha Eduththukko Eduththukko

m m m m m mm m m mm m m

Lo lava lava lava lavalamma

p p p p p p p p p d m

Le lava lava lava lavalamma

m m m m m m g g m g r s

Lo lava lava lava lavalamma

p p p p p p p p p d m

Lo lava lava lava lava lava lava lava lava

m m m m m m m m m m m m m m m m m

Ae Ailae Ailae Ae Ailae

m d m d m d g m

Namma Life Kooda Oru Railae

m m d m d m md g s

Ithu Oda Oda Phone Styley

mm dm dm dd g m

Nikkaathey Ninnaale

m n d m g s

O Oilae Oilae O Oilae

m d m d m d g m

Ullaasam Moththam Namma Kailae

mmd m d m d d g s

Illaatha Vaazhvu Verum Jaile

md m d m d d g m

Ulagengum Ullaale

dd n S nd nS

Niraiya Niraiyave Thullikko

p p m p p p m p p p

Kuraiya Kuraiyavae Allikko

d d p d d d p dd d

Theliya Theliyavae Kathukko

p p m p p p m p p p

Therintha Thavarugal Oththukko

d d p d d d p dn S

Ye Gama Gama Nenjadangumaa

m m m m m m m m m m

Nee Nanachatha Nadaththiko Nadaththiko

m m m m m m m m m m m m m

Ye Guma Guma Kan Urangumaa

m m m m m m mm m m

Nee Kedachatha Eduththukko Eduththukko

m m m m m mm m m mm m m

Interlude

mmdn mmmm mmdn mmmm mmdn mmmm

gggg mmmm

mmdn mmmm mmdn mmmm mmdn mmmm

gggg mmmm

A a a a a a aile

m d m d m d g m

A aa a a a aile

m dm d m d g m

A a a a a a a

m n d n d n d

A a a a a a a

m n d n d n R

Notes for next paragraph same as previous stanza

Uyirin Uyire Kaakha Kaakha Keyboard Music Notes

Posted by Gurudev on Oct 3, 2011 in Tamil Movie Songs - Indian & Western Notations

Rating: 0.0/10 (0 votes cast)

Song Details

Song Uyirin Uyirae - Piano Guitar Violin Flute Western Notations

Category Tamil Movie Songs - Indian & Western Notations

Movie Kaaka Kaaka

Music Director Harris Jayaraj

Singer KK

Suchitra

Starring Surya

Jyothika

Jeevan

Notations sa=s ri=r2 ga=g2 ma=m1 pa=p da=d1 ni=n2

unless and otherwise specified.

See Classical Indian Notation Guide for help on how to read these notes.

To convert from Indian to Western notations, see Western Notations Guide

Omaha Meeya Vahinyala Vaahinyaala

sp m p pm m p grs m p gr s

Veena Memasaaya

g m r s n s

Omohe Meeya Vahinyala Vaahinyaala

sp m p pm mdp grs m p gr s

Veena Memasaaya

r g m g rn s

Uyirin Uyirae Uyirin Uyirae

sp m p pm m p gr s

Nathiyin Madiyil Kaathu Kidakindraen

m m p g r s g m r s n s

Eera Alaigal Neerai Vaari

spm pp pm m p gr s

Mughathil Iraithum Muzhuthum Vaerkindraen

m m p gr s g m r s n s

Omaha Meeya Vahinyala Vaahinyaala

sp m p p m p grs m p gr s

Veena Memasaaya

g m r s n s

Omahe Meeya Vahinyala Vaahinyaala

sp m p p mdp grs m p gr s

Veena Memasaaya

r g m g rn s

Nagaram Neruppai Kozhunthu Vetterindaen

p g r g gr r r g r s n s

Anaintha Pinbhum Analin Maelirundaen

pg r g gr rr g r s n s

Kaalaipaniyaaga

s r g r s n

Yennai Vaari Kondaay

n s rs n m p

Naeram Kooda Ethiri Aagivida

pg r g gr rr g r s n s

Yugangal Aaga Vaedam Maarivida

p g r g gr r g r s n s

Anaithu Kondaayae

ss r gr s n

Pinbhu Aenoa Sendraai

n s rsn m p ||Uyirin Uyirae

Interlude

Sitar

sn rs gm

m m m m mg

d m g r s

p m g r s

pmgrg mpdp

pmgrg mpnp

pmgrg

dpmgm

pmgrg

dpmgm

nSRn

Sd np dm pg mr

np dm pg mr gs

Sd np dm pg mr

np dm pg mr gs

Swasamindri Thavikiraenae

ps s s ss n n n d p

Unathu Moochil Pizhaikiraenae

ps s s s n n n d p

Ithazhgalai Ithazhgalaal

pm p n pm p n3

Nirappida Vaa Pennae

p m p s r g m

Ninaivu Engoa Neenthi Chella

p s s s s n n d p

Kanavu Vanthu Kannai Killa

p s s s s n n d p

Nizhalethu Nijamethu

p m p n p m p n3

Kuzhambinaen Vaa Pennae

p m p s r g m

Kaatril Enthan Kaigal Rendum

sm m m pm g rg r r ss

Unnai Andri Yaarai Thaedum

smm mdpm gr r g r s s

Vilagi Poagaathey

s s r gr s n

Tholainthu Poavaenae

n n s rs n m

Naan Naan Naanaan

p p pdnsrgmp ||Uyirin Uyirae

Iravin Poarvai Yennai Suzhunthu

Mella Mella Moodum Thavazhnthu

Vidiyalai Thaedinean Unnidam Vaa Pennae

Paatham Engum Saavin Ranangal

Naragamaagum Kaathal Kanangal

Orumurai Madiyilae Uranguvaen Vaa Pennae

Thaamathikkum Ovvoru Kanamum

Thavanai Muraiyil Maranam Nigazhum

Arigil Vaarayo Viralgal Thaarayo

Nee Nee Neeee || Uyirin Uyirae

Hindi Songs

Teri Meri Meri Teri - Film: Bodyguard (new)

Tum Pas Aye - Film: KKHH

Pyar Manga Hai Tumhi Se - Film:College Girl

Har Ghadi Badal Rahi Hai - film : Kal Ho Na Ho

Why this Kolaveri kolaveri kolavari di

Rim jhim gire sawan - Film:Manzil

Hey shona hey shona - Film: Tara Rum Pum

Ek din aap yoon - film Yes Boss

Zikra hota hai jab kayamat ka - film: My Love (1970)

Happy birth day tune with rythm & chords

Sachi sachi teri nazarein Film:Dabang

Pal Pal Pal Har Pal - Film:Lage raho munna bhai (with chords)

Convertion from Western notes to Hindustani notes

Surili akhiyon wale - Film Veer

Ek din teri rahoonmein - Film Naqab

Sanso ko sansoo me - Film Hum Tum

Tu humsafar tu humkadam - Film Tum Mile

Meri duniya tu hi re - Film Hey Babby

Zara si dil main de jaga tu - Film Jannat

Zindagi ek safar hai suhana

Chalte chalte mere ye geet - film Chalte Chalte

Dil ibadat kar raha hai - Film Tum Mile

Zindagi do pal ki - Film Kites

Tere liye hum hai jeeye - Film Veer Zara

Tum mile (original) - Film. Tum Mile

Pancchi nadiya pawan ke jhoke - Film Refugee

Kuchh khasa hai kuch pass hai - Film Fashion

Ek pyar ka nagama hai - Film Shor (1972)

Adha hai chandrama rat aadhi - Film Navarang

Ajeeb dastan hai yeh - Film Dil Apna our Preet Parayee

Yad kiyan dil ne kahan ho tum - Film Patita

Teri ankhen bhul bhlaiya - Film Bhool Bhulaiya

Tu meri adhuri pyas pyas - Film GhazaniHindi Songs

Teri Meri Meri Teri - Film: Bodyguard (new)

Tum Pas Aye - Film: KKHH

Pyar Manga Hai Tumhi Se - Film:College Girl

Har Ghadi Badal Rahi Hai - film : Kal Ho Na Ho

Why this Kolaveri kolaveri kolavari di

Rim jhim gire sawan - Film:Manzil

Hey shona hey shona - Film: Tara Rum Pum

Ek din aap yoon - film Yes Boss

Zikra hota hai jab kayamat ka - film: My Love (1970)

Happy birth day tune with rythm & chords

Sachi sachi teri nazarein Film:Dabang

Pal Pal Pal Har Pal - Film:Lage raho munna bhai (with chords)

Convertion from Western notes to Hindustani notes

Surili akhiyon wale - Film Veer

Ek din teri rahoonmein - Film Naqab

Sanso ko sansoo me - Film Hum Tum

Tu humsafar tu humkadam - Film Tum Mile

Meri duniya tu hi re - Film Hey Babby

Zara si dil main de jaga tu - Film Jannat

Zindagi ek safar hai suhana

Chalte chalte mere ye geet - film Chalte Chalte

Dil ibadat kar raha hai - Film Tum Mile

Zindagi do pal ki - Film Kites

Tere liye hum hai jeeye - Film Veer Zara

Tum mile (original) - Film. Tum Mile

Pancchi nadiya pawan ke jhoke - Film Refugee

Kuchh khasa hai kuch pass hai - Film Fashion

Ek pyar ka nagama hai - Film Shor (1972)

Adha hai chandrama rat aadhi - Film Navarang

Ajeeb dastan hai yeh - Film Dil Apna our Preet Parayee

Yad kiyan dil ne kahan ho tum - Film Patita

Teri ankhen bhul bhlaiya - Film Bhool Bhulaiya

Tu meri adhuri pyas pyas - Film Ghazani INDIAN MUSICAL SCALE & RAGA'S

It is probably no coincidence that Greek music was also based upon seven modes. Furthermore, the Indian scales follow the same process of modulation (murchana) that was found in ancient Greek music. Since Greece is also Indo-European, this is another piece of evidence for the Indo-European correlation in the basic notes. Indian musical scale is said to have grown-up from 3 notes to a scale of 7 primary notes, on the basis of 22 intervals. A scale is divided into 22 shrutis or intervals, and these are the basis of the musical notes. Musicians as Sa, Re, Ga, Ma, Pa, Dha and Ni know the 7 notes of the scale. These 7 notes of the scale do not have equal intervals between them.

The first and fifth notes Sa[C] and Pa [G] do not alter their positions on this interval. The other 5 notes can change their positions in the interval, leading to different ragas. As in any art, the ultimate goal is the expression of emotional quality. The primary musical vehicle for the conveyance of this emotion is rag.

THE NORTH INDIAN KEYBOARD STYLE :

In any form of art, the ultimate objective is the expression of emotional quality. The primary musical movement of notes of this emotion and combination of several notes woven into a composition in a way that is pleasant to the ear is called a Raga. Raga is the fundamental basis of Indian Classical Music. Raga must have at least five notes, starting at Sa, one principal note, a second important note and a few helping notes. The ascent and descent of the notes in every raga is very important. Some ragas in the same scale differ in ascent and descent.

Another aspect of the ragas is the appropriate distribution in time during the 24 hours of the day for its performance, i.e. the time of the day denotes the raga sung a particular time. Ragas are also allotted a particular time space in the cycle of the day. These are divided into four types—

1. A.Sandi-prakash ragas or twilight ragas when the notes re and dha are used 2. Midday and Midnight ragas which include the notes ga and ni (komal). 3. Ragas for the first quarter of the morning and night which include the notes re, ga, dha and ni (komal). 4. For the last quarter of the day and night, the ragas include the notes sa, ma and pa.

This raga classification is about 500 years old and has been adapted by Pundit V. N. Bhatkhande in his textbooks on Hindusthani music.

Another division of ragas is the classification of ragas under six principal ragas—Hindol, Deepak, Megh, Shree and Maulkauns. From these six ragas, other ragas are derived. The first derivatives of the ragas are called raginis, and each of the six ragas has five raginis under them. Further derivatives from these ragas and raginis resulted in attaching to each principal raga 16 secondary derivatives known as upa-ragas and upa-raginis.

The following list of Ragas along with that Jati, Arohan and Aborohan depicting various mood and expression are named as :

Abhogi.mid, Adna Thaat Ashavari.mid, Asavarii.mid Bageshri.mid Bahar.mid,Bairagi.mid, Basant_Mukhari.mid Basant_thaatPoorvi.mid, Behag_thaat Kalyan,Behag, Bhairav_thaat Bhairab.mid, Bhairavi_thaat Bhairavi.mid, Bhatiyar_thaat Bhairav.mid , Bhimpalasi_thaat Kafi.mid , Bhinna Shadja_thaat Khamaz.mid ,Bhopalithaat Kalyan.mid, Bhopali_Todi_thaat_Bharavi.mid,Bibhas_thaat_Bharav.midChandni_thaat Kedar.mid Chandrakauns.mid , Darbari_thaat Ashavari.mid,Desh_thaat Bilaval.mid, Desh_thaat Khamaj.mid, Durga_thaat Bilaval.mid, Gara thaat Khamaj.mid, /Hamir _thaat Kalyan.mid Hansadhawni _thaat Bilawal.mid , /Hindol _thaat Kalyan.mid, /Jaijaiwanti _thaat Khmaj.mid , Jaunpuri _thaat Asavari.mid, Kafi thaat Kafi.mid, Kalabati _thaat Khamaj.mid. Kalyan.mid, Kedar.mid, KedarNat.mid,Khambavati.mid, Lajvanti.mid, Lalit Bhairav.mid, Laltangi.mid,Madhmad Sarang _thaat Kafi.mid, Madhukauns _thaat Kafi.mid. Miya Ki Malhar.mid Madhumalati.mid,Malhar_thaat kafi.mid, Malhar_thaat kafi.mid, Malkauns Pancham_thaat Bhairavi,Pahadi.mid Peelu.mid Tilakamod,mid, Yaman kalian .

Indian Musical Rhythm has three aspects:

Tala, Laya and Matra. Tala is a complete cycle of metrical phrase composed of a fixed number of beats. There are over a 100 Talas, but only 30 Talas are known and only about 10-12 are used.

The Laya is the tempo, which keeps uniformity of time span and it has 3 divisions: vilambit (Slow), Madhya (medium) and Druta (Fast). In real application it has been found that the range could be as wide as 10 matras per minute (i.e. 6 seconds per matra) is ati vilambit laya (very slow tempo) to more than 720 matras per minute (i.e. less than 0.08 seconds a matra) in ati dhruta laya (Meter and Taal).

Matra in Sanskrit is unit of any measurement. In music, it is the basic unit of time measurement. The actual time duration of a matra depends on the speed of the rhythm i.e. Tempo the Matra is the smallest unit of the tala.

Some examples of different Tala (Indian Drum Pattern)

1. Dadra 2. Kaharwa 3. Rupak 4. Dhamar 5.Typical Indian Dholak 4-4

Hundreds of Taals are known and a twenty or so are in frequent use. The most common Taal is Teen Taal. It has 16 matras, but is called Teen (three) Taal because it has three Thalis (and khali to make four kriyas). It is usually expressed as 4 Bibhagas (sections) of 4 matras each

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